Reflection Upon A Critical Incident Essay -- Reflection Upon Nursing S

This paper will reflect upon and explore a critical incident which occurred whilst attending a clinical placement. Reflective practice has become very popular over the last few decades throughout a variety of professions. In some professions it has become one of the defining features of competence. The wide spread utilization of reflective practice is due to the fact that it ‘rings true’ (Loughran, 2000). Within different disciplines, what is understood by reflective practice varies considerably (Fook et al, 2006). Despite this, some agreement has been achieved. In general, reflective practice is understood as the process of learning through and from experience towards gaining new insights of self and/or practice (Boud et al 1985; Boyd and Fales, 1983; Mezirow, 1981, Jarvis, 1992). This often involves examining assumptions of everyday practice. It also tends to involve the individual practitioner in being self-aware and critically evaluating their own responses to practice situations. The point is to recapture practice experiences and think about them critically in order to gain new understandings. This is understood as part of the process of life-long learning. Critical Incident Definition Critical Incidents are regarded as valuable learning tools for nurses. (Bailey 1995). Nurses are responsible for providing quality of care to patients (NMC 2015). In order to provide this care there is a need to have the ability to critically think, problem solve, make judgement and contribute to planning. Through the use of Critical thinking these skills can be developed, which can allows the nurse to analysis the situation through evidence , logical thinking and the actions that lead to the incident and will result in a change of p... ...lassets/siteDocuments/NMC-Publications/NMC-Standards-for-medicines-management.pdf O'Shea, Ellen (1999) Factors contributing to medication errors: a literature review Journal of Clinical Nursing 8:496-504] http://onlinelibrary.wiley.com/doi/10.1046/j.1365-2702.1999.00284.x/abstract?deniedAccessCustomisedMessage=&userIsAuthenticated=false Parkinson's Disease National Clinical Guideline for Diagnosis and Management in Primary and Secondary Care (2006) NICE Clinical Guidelines, No. 35. London: Royal College of Physicians (UK) http://www.ncbi.nlm.nih.gov/books/NBK48513/ Parkinson's UK (2015) http://www.parkinsons.org.uk/news/news-topics/research Pyne, R. On being accountable. (1988) Health Visitor Jun;61(6):173-5. http://www.ncbi.nlm.nih.gov/pubmed/3378907 "Understanding Parkinson's" Parkinson's Disease Foundation (2015) http://www.pdf.org/symptoms

Deeper Meaning of Shakespeares As You Like It :: Shakespeare As You Like It Essays

The Deeper Meaning of As You Like It Shakespeare's As You Like It is a good play for anyone to read or see. Some readers would enjoy one aspect of it, some would enjoy another. But all would, in general, enjoy the play. Albert Gilman says that Shakespeare intended to imply that all that people need to live together in harmony is "good sense, love, humor, and a generous disposition." (Gilman lxvii) This play is deeper than the surface, and that is part of its appeal to every kind of person. As its title declares, this is a play to please all tastes. ".For the simple, it provides the stock ingredients of romance....For the more sophisticated at d, it p propounds...a question which is left to us to answer: Is it / better to live in the court or the country?....For the learned and literary this is one of Shakespeare's most allusive plays, uniting old traditions and playing with them lightly... (Gardner 161) The title of the play came from a note to his "gentlemen readers" in Thomas Lodge's book, Rosalynde, in which he said, "I f you like it, so." (Lodge 108) People interpret different lines and actions of the characters as they wish, and we know Shakespeare would not object; it says so right in the title of the play! Actors and Directors have taken this literally, and have made various changes to the script, such as having Phebe gnaw on a turnip or an apple between her lines and having Rosalind kiss the chain before giving it to Orlando. The characters in As You Like It are easy to understand because they follow their simple wishes; they do something because it suits them. For example, Oliver hates Orlando because he wants to. There is no reason for him to resent him, none at all: "... for my soul, though I know not why, hates nothing more than he." (Shakespeare 8) Duke Frederick banishes Rosalind because people felt sorry for her for her father's sake. Finally, Rosalind herself had no other reason than a simple whim to not tell Orlando who she really was. Touchstone added the humor to the story, and Jacques added the melancholy. Shakespeare entered both of these characters into the play to balance each other. He also added Audrey and William to give all of the characters someone to love. Deeper Meaning of Shakespeare's As You Like It :: Shakespeare As You Like It Essays The Deeper Meaning of As You Like It Shakespeare's As You Like It is a good play for anyone to read or see. Some readers would enjoy one aspect of it, some would enjoy another. But all would, in general, enjoy the play. Albert Gilman says that Shakespeare intended to imply that all that people need to live together in harmony is "good sense, love, humor, and a generous disposition." (Gilman lxvii) This play is deeper than the surface, and that is part of its appeal to every kind of person. As its title declares, this is a play to please all tastes. ".For the simple, it provides the stock ingredients of romance....For the more sophisticated at d, it p propounds...a question which is left to us to answer: Is it / better to live in the court or the country?....For the learned and literary this is one of Shakespeare's most allusive plays, uniting old traditions and playing with them lightly... (Gardner 161) The title of the play came from a note to his "gentlemen readers" in Thomas Lodge's book, Rosalynde, in which he said, "I f you like it, so." (Lodge 108) People interpret different lines and actions of the characters as they wish, and we know Shakespeare would not object; it says so right in the title of the play! Actors and Directors have taken this literally, and have made various changes to the script, such as having Phebe gnaw on a turnip or an apple between her lines and having Rosalind kiss the chain before giving it to Orlando. The characters in As You Like It are easy to understand because they follow their simple wishes; they do something because it suits them. For example, Oliver hates Orlando because he wants to. There is no reason for him to resent him, none at all: "... for my soul, though I know not why, hates nothing more than he." (Shakespeare 8) Duke Frederick banishes Rosalind because people felt sorry for her for her father's sake. Finally, Rosalind herself had no other reason than a simple whim to not tell Orlando who she really was. Touchstone added the humor to the story, and Jacques added the melancholy. Shakespeare entered both of these characters into the play to balance each other. He also added Audrey and William to give all of the characters someone to love.

Comparison of the first chapters of Pride and Prejudice and Great Expectations Essay

In the first chapter of Great Expectations, Dickens uses first person narrative to present a retrospective account of the narrator’s formative experiences. The narrator has obviously matured and learnt much since his days as a young boy, and he recounts his innocent imagination with some humour and disdain: â€Å"My first fancies regarding what they were like, were unreasonably derived from their tombstones.† Here Dickens uses authorial control to present a pitiful account of a lonely, orphaned boy; â€Å"and that Philip Pirrip, late of the parish, and also Georgiana wife of the above, were dead and buried.† And the fact that he mentions his parents death in the second paragraph shows just how significantly this has affected the young boy’s life. In Pride and Prejudice, Jane Austen also uses authorial control to immediately inform the reader of the central theme of the book, and establish a humorous, ironic tone. This is done through the famous first line: â€Å"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.† but unlike Dicken’s first person narration, Austen separates herself completely from the mind and viewpoint of the characters, using dialogue to show her contempt for the social expectation of marriage: â€Å"‘Oh! Single, my dear to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls!'† Austen presents Mrs Bennet as a personification of the first sentence of the book, and uses humour and irony to satirise and mock her. Another comparison between the two first chapters is that Dickens is very descriptive in his opening paragraphs: â€Å"Ours was the marsh country, down by the river, within, as the river wound, twenty miles at sea.† whereas Austen does not give any background information on the characters and where they live until the end. At the end of the chapter Austen describes Mr and Mrs Bennet: â€Å"Mr Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice.† and: â€Å"Mrs Bennet was a woman of mean understanding, little information, and certain temper.† This authorial comment tells the reader exactly how to interpret the conversation they have just read, and it also presents a contrast between the two books: as Dickens uses pathos to make the reader pity Pip, Austen makes no attempt to make her central characters likeable. Finally both authors use binary opposition to emphasize the attributes of the different characters. For example in Great Expectations, Dickens contrasts the young, innocent Pip against the old and experienced nature of the escaped convict. When Pip meets the old man he lets his fearful imagination take hold of him: â€Å"‘O! Don’t cut my throat sir,'† I plead in terror. ‘Pray don’t do it, sir.'† which shows just how little understanding of the world Pip has. In Pride and Prejudice Mr Bennet’s mildly sarcastic statements are lost on Mrs Bennet, who’s over enthusiasm makes her oblivious to Mr Bennet’s mocking tone: â€Å"Mr Bennet, how can you abuse your own children in such way? You take delight in vexing me. You have no compassion on my poor nerves.† The disparity between them is amusing, but it is also ironic, as the reader’s first view of marriage in a novel about finding marital happiness is one of a mismatc hed couple that cannot communicate.

Becoming A Certified Public Accountant Essay

A music star, an actor, a firefighter, doctor, or even President of the United States, vocations most children dream of. I was one of the â€Å"other† children who had dreams of jobs that weren’t as glamorous. One day we’ll see the â€Å"other† children excel as president of a Fortune 500 company, or in my case, managing the company’s finances, which really seems to serve as the basis for any business. In the following paragraphs, I will discuss several reasons and statistics, which I feel prompted the want for me to attain the extent of my aspiration to become a Certified Public Accountant. Accounting is classified as the bookkeeping methods involved in making a financial record of business transaction and in the preparation of statements concerning the assets, liabilities, and operating results of a business. A career in the profession of a Certified Public Accountant offers you the skills you need to be successful in a wide variety of businesses and disciplines. CPAs gain financial knowledge and analytical skill that are sought after by companies of all sizes and in every industry. The work of a CPA interests me because their work never ends, and they are constantly confronted with the chance to accrue new skills and feign ways to better the accounting process. Although accounting is a tedious job and often requires an extreme number of working hours throughout the week, I believe that with the proper training, and more hands-on learning, I will be able to face the world and change my processes to stay ahead of the times. â€Å"Accountants need a general business outlook on the economy and must communicate to management how to make tomorrow better than today† (Khan). Opportunities for the accountant’s career are countless and I wish to be one of the counted. Last summer, I was fortunate enough to enjoy the selection of myself among a choice few for an internship at Robert Half International Incorporated. Throughout the duration of my internship I participated in the preparation of many financial statements for some of today’s top businesses, one in particular, Boddie-Noell Enterprises, which is often referred to as Hardee’s. This experience increased my yearning to become a CPA. As I worked alongside the accounting elite for several months, I realized that being an  accountant, whether it be glamorous or not, was what I was destined to become. Upon completion of the necessary requirements for graduation, I will receive my diploma on June 10th of the current year. When I venture to Old Dominion University in the fall, I will seek the career that will allow me to make a difference in the business world and offer an attractive salary. Double Majoring in Accounting and Finance with a minor in Business Administration will provide necessary elements associated with accounting, so that I may be successful in my future endeavor. The CPA profession also offers competitive entry-level salaries and significant long-term growth potential. I aspire to master the rudiments of accounting, which will allow me to pursue my dream of becoming a Certified Public Accountant. Works Cited Kahn, Taskean. Hear From the Experts. 2004. http://www.nextgenaccountant.com/research 18 March 2004.

Mother of 1084

The play Mother of 1084 (1997) is the original translation of Mahasweta Devi’s Bengali playHajar Churashir Ma that has the best illustrations for the marginalized category. The neglected and suppressed plight of the woman is represented by Sujata Chatterjee, mother of the protagonist of the play Brati Chatterjee whose ideology i. e. , commitment to the revolutionary and Communist Naxalite movement has labeled him as a rebel, and led to his ruthless killing by the police in an ‘encounter’.In the play Mother of 1084 Sujata Chatterjee, a traditional apolitical upper middle class lady, an employee who awakens one early morning to the shattering news that her youngest and favourite son, Brati, is lying dead in the police morgue bearing the corpse no. 1084. Her efforts to understand her son’s revolutionary activism lead her to reflect on her own alienation from the complacent, hypocritical, bourgeois society against which he had rebelled. The play moves around Su jata, a middle-aged woman belonging to a ‘bhadralok’, bourgeoisie Calcutta family.Born into a conservative, affluent family, Sujata is advised to pursue her B. A. so that it helps her marriage prospects, but is ultimately married off to Dibyanath Chatterjee, a chartered accountant, despite his unsound financial situation. In thirty-four years of their married life, Sujata gives birth to four children, two sons (Jyoti and Brati) and two daughters (Nipa and Tuli). When the novel opens, two of her children are already married, Jyoti to Bina and Nipa to Amrit.In the eyes of the world, all of them are leading perfectly happy and settled lives, but as Sujata goes on to discover later, that this happiness is only superficial. Significantly, Sujata makes several other discoveries, only after the sudden and mysterious death of Brati, her younger son, with whom she had always shared a very special relationship. For instance, she discovers that all her thirty-four years of her mar ried life, she has been living a lie, as her husband, being an incorrigible philanderer, always cheated her with his mother’s and children’s tacit approval.He fixed up a petty bank job for her, when Brati was barely three years old, not out of any consideration for her economic independence, but essentially to help the family tide over a temporary financial crisis. And, as soon as the tide is over, he wants her to give up the job, which Sujata simply refuses. Later, she also discovers that her children, too, are leading lives very similar to her own. If there is someone who has dared to be different, it’s Brati. Sullenly rebellious, right from his childhood, Brati has made no secret of his disregard, even contempt, for his familial code and value-system.Turning his back upon this decadent and defunct code, Brati decides to join the Naxalite movement sweeping through the State of West Bengal in late 1960’s and early 1970’s. Unaware of his secret mis sion, Sujata is not able to dissuade her son from joining this movement. During his period of struggle, he comes into contact with a young girl, Nandini, who is also a member of the underground movement and with whom he shares his vision of a new world order. On being betrayed by one of his comrades, Brati and three of his close associates, Somu, Parth and Laltu, are brutally murdered by the assassin of the police.Later, the police call up his father, asking him to come and identify the dead body of his son, who, has in the meantime been divested of his identity as a person, and given another ‘dehumanized identity’ as corpse number 1084. Not only does the father refuse to go, but he also forbids other family members from doing so. Outraged at the manner in which his associates, his immediate family and the state have abandoned the dead Brati, his mother, Sujata decides to go, throwing all pretensions to false social respectability and the fear of public censure, to wind s.Dibyanath Chatterjee, father of Brati Chatterjee is represented, as an honest representative of the male dominated society. As soon as he comes to know about the news of his son, instead of rushing to the police station he tries to hush up the matter. Sujata is aghast to see the indifferent behaviour of her husband. He was least bothered to talk about this matter to his wife Sujata. The following sentences reveal very clearly how much she was neglected by him: Sujata : (uncomprehending, in a panic). What will you hush up? What are you talking about? Dibyanath: Jyoti, there is no time to waste.He goes out. Sujata : Jyoti! (Jyoti busy in dialing a number. He does not reply) Jyoti! (Reproving). Jyoti! What’s Happened? (04) From the above lines one can easily conclude that Sujata was neglected though she was the second important member of the family. Dibyanath Chatterjee bothered to consult his son Jyoti rather than his wife, Sujata. Sujata felt shocked when Dibyanath Chatterje e refuses to go to the police station with the fear of stigma in the society for his son’s involvement in anti – government affairs. In the words of Sujata: But that soon? Even before the body’s been identified?A father gets the news on the telephone and does not even think of rushing to have a look? All he can think of is that he’d be comprised if his car went to Kantakapukur? (09) The four chapters in the play mark a new stage in the evolution of Sujata’s consciousness, as it enables her to re-order her fragmented and chaotic life in search of a cohesive identity. Every time she visits her own past or that of Brati, Somu’s mother or Nandini, her long-suppressed personal loss is slowly released into the ever-widening, spirals of betrayal, guilt and suffering.From a weak-willed, hopelessly dependent and a non-assertive moral coward, Sujata is transformed into a morally assertive, politically enlightened and a socially defiant individual. In the first chapter, significantly titled ‘Dawn’, Sujata primarily returns to her interior, private world of personal suffering, torture, betrayal and loneliness. Negotiating the inner time in relation to her immediate familial situation, she becomes aware of how she and Brati were not just fellow sufferers but also soul mates.In the second chapter, ‘Afternoon’, Sujata’s visit to the bank to get jewellery from the locker is only a pretext for her to visit the house of Somu’s mother. A close associate of Brati, Somu had been killed in the same encounter. More significantly, Brati had spent his night in Somu’s house before his mysterious disappearance and death. While Sujata goes to Somu’s mother with the specific aim of retrieving the memories of Brati’s last few hours, it turns out to be her entry and initiation into another world altogether.It is the world of primitive squalor, filth, poverty, degradation and subhuman exist ence that only hovers tentatively on the margins of ‘bhadraloks’ consciousness. She enters into the little known world of slum dwellers. The sight of Somu’s ageing mother, her disgruntled daughter and that of their ramshackle tenement with a straw roof is enough to complete the rituals of initiation. In the third chapter, titled ‘Evening’, she visits Nandini, who apart from being Brati’s comrade-in-arms was also his beloved.It is Nandini who reconstructs for Sujata all the events leading up to Brati’s betrayal and murder. In the process, she also initiates Sujata into the little known world of the underground movement, explaining to her the logic for an organized rebellion, giving her first hand account of state repression and its multiple failures. It’s through Nandini that Sujata is finally able to understand the reasons for Brati’s political convictions and his rejection of the bourgeoisie code.All this leaves her so co mpletely bewildered that she openly admits to Nandini, â€Å"I didn’t really know Brati. † (87). In the last chapter of the novel titled ‘Night’, we meet a transformed Sujata, one who is more self-assured, morally confident and politically sensitive. She decides to leave the house in which Brati never felt at home, where he wasn’t valued while he was alive, nor his memory respected after his death. Having found a soul mate in Brati, she turns her back on Dibyanath and his decadent value-system.Bound by a sense of moral responsibility, she does go through all the rituals and ceremonies connected with Tuli’s engagement, but during the party, she maintains stiff, studied silence. Her insistence on wearing a plain, white sari for the party is also a significant gesture. The feelings of Sujata were not respected but misinterpreted by the members of the family. The given conversation between Sujata (Tuli, the second daughter of Sujata) and Tuli rep resents this thought: Tuli : Didn’t Brati laugh at other people’s beliefs?Sujata: Brati’s belief was so different from your belief in the Swami, or Bina’s in her prayer room, that it sounds utterly absurd when you drag his name into the same context. Tuli : The same thing again! You will react every time we mention Brati. Sujata : Yes. Tuli : Are we not worthy enough to pronounce his name? Sujata: The way you pronounce it! To hurt me! (08) On one occasion Dibyanath Chatterjee accused Sujata for misleading their son which has led him to become a rebel. The egoistic nature of the father is understood in his words, â€Å"Bad company, bad friends, the mother’s influence† (29).It is a well known fact in the society that father and mother play an important role in bringing up the children. But it is ridiculous to notice that when the children get spoiled, complete blame is thrown on mother. Being physically weak and fragile, (for a few years, she had been living with a rotten appendix inside her system), and traumatized by her younger son’s death and subsequent repression of grief, she simply gives up on life. When she screams and collapses into a heap, her husband is quick to react that her â€Å"appendix† has burst.Whatever the symbolic overtones of his statement, she certainly succumbs to the slow process of inner-outer rot and decay. Finally, as she herself says, â€Å"Now that Brati is dead, I, too, wouldn’t like to go on living. † She discovers her inner self but on the whole loses her will to live and survive. Time constantly swings back and forth, and so does the pendulum of two interconnected, intertwined lives, that of Sujata and her son, Brati. Interestingly, it is death that unites them both, irrevocably asserting the authenticity of their lives, too.Mahasweta Devi’s predominant concerns are the tribal backwaters, the â€Å"exploitations of the Adivasis by the landed rich or th e urban-administrative machinery callously perpetuating a legacy of complicity with the colonizers, bonded labour and prostitution, the destitution and misery of city dwellers who are condemned to live at the fringes and eke-out a meager livelihood, the plight of woman who are breadwinners and victims of male sexual violence, dependent widows, ill-treated wives, and unwanted daughters whose bodies can fetch a price – are adequately represented†. Sen). From the above situations, one can infer the insignificant role of Sujata in the play Mother of 1084, as a woman who has been relegated to the position of a neglected, suppressed, ill-treated, mechanical and marginalized in all forms in the male dominated society who consider woman as an object of sex, only to reproduce, bring money when needed and does not possess even a voice to express her own concerns.

Cloudstreet Prologue

The prologue of Tim Winton’s Cloudstreet transcends one family’s tragic loss into the realms of the metaphysical, commenting on his views of life and death. Readers can contrast these views to our more modern ideologies. Through the use of poetic language Winton adds a spiritual dimension to the lives of people living in a secular society. Through imagery he also offers a construction of Australian cultural identity. Using techniques like point of view, repetition, juxtaposition, symbolism, as well as tapping into Australian vernacular and language that appeals to the senses, he manages to convey these ideas to readers.I think that the change of point of view is one of the more effective techniques Winton uses in this extract. From the beginning where he clearly uses an inclusive pronoun to describe the gathering, â€Å"Will you look at us† to the ending where the pronoun has switched to exclusive, â€Å"And you can’t help but worry for them†¦Ã¢â‚¬  This technique draws attention to the exclusion both of Fish, the reason this event took place, and of the reader. We are forced to the sidelines, watching the physical description of the families meld into a spiritual description of life and death.This extract proposes ideas about living and dying that are quite opposite to our modern ideologies. Winton suggests that the world of the living is a closed, narrow one, material and â€Å"foetid. † This contrasts to his views on death which is portrayed as a dimension of freedom and â€Å"broad vaults and spaces† that â€Å"you can see it all† from. He makes this evident through emotive language that appeal to the senses. The olfactory** word â€Å"foetid† immediately gives the idea of living a negative connotation where â€Å"silver-skinned river† is presented with such a positive, beautiful image that even the suggestion of death feels beautiful.In fact, Winton discusses water, not only in this extr act, but throughout the whole novel in highly symbolic terms. I read, in the prologue, the â€Å"silver-skinned river† to be a portal between the world of the physical and metaphysical. As Fish peers into it he sees â€Å"all the wonders inside it. † I believe Winton is conveying the idea that spirituality is a necessary aspect of life. Also the metaphor â€Å"the sound of it (the water) has been in his ears all his life† intensifies the description of Fish’s desire for the metaphysical.The quote â€Å"One of the here is leaving† can be seen as very symbolic in the fact that it describes literally Fish’s leaving the group and, in the end, leaving this life. But it also could be read to mean how figuratively Fish is transcending from the material world to the physical one through means of the river. Certain phrases are used to enhance this metaphysical portrayal of the world. Images like â€Å"earthly vision† juxtapose to highlight the idea behind the image, togetherness of the two families. â€Å"Burst of consciousness† is another spiritual, metaphorical phrase which contributes to the sense of Fish’s mind right before death.Referencing â€Å"time and space,† of course, immediately places the images into the world of the metaphysical. I think swapping so easily from materialistic images to spiritual is a clever way of expressing the themes and main ideas of Cloudstreet. As well as a spiritual reading, I see Winton making efforts to allude to a representation of Australian cultural identity. First, the use of Australian vernacular such as â€Å"chiacking† and â€Å"skylarking† sets the place for readers allowing us to see Winton’s view of this country. Throughout the novel, and even in this extract, there is a tone of longing for an Australia of the past.An Australia that was never really existant, historically. The entirety of the book is a construction of Australian lif e, a representation of the cultural identity. The cumulating of picnic foods leads to an image of celebration in Australian summer. An image that continues throughout the episodic narrative of the rest of the book. Australia can be seen as presented through an idealistic lens. For example â€Å"in a good worlds in the midst of our living† conveys an ideal Australia of community that anyone who has lived here for more than a day knows is not always an accurate perception.Winton wanted to express this view so much that he emphasized it through poetic the language technique of repetition to draw attention to the â€Å"one day, one clear, clean, sweet day. † The syntax is meandering in parts as well as abrupt and sharp in others to bring emphasis to ideas and images. For example where readers gain some insight into Fish’s mind the sentences become far more simple and short. â€Å"All. † â€Å"He sits. †etc in order to express the simplicity of Fishâ₠¬â„¢s thoughts. Repetition too portray the thoughts of a more simply minded person. Teeth teeth teeth† are the focus of Fish’s mind therefore this will be the focus of Winton’s description. In reading Tim Winton’s flowing, emotive language I found myself understanding this view of life and death more clearly. This extract allows readers to open their minds to ideas that are quite contrary to our ideologies today. The construction of Australian culture is one infused with a sense of longing and love, something those who also love Australia today can identify with. For that reason, I believe this book has a strong essence of cultural identity despite the fact that it’s not necessarily a correct representation.

Greenhouse Business Challenge and Carbon Footprint Assignment - 1

Greenhouse Business Challenge and Carbon Footprint - Assignment Example For brand protection, the company ensures that all their products are free from any form of toxic material that may cause harm directly to the user or even indirectly by first implicating on the environment and subsequently on the user. These materials are not only toxic to the consumers but also lead to a low lifespan of the products and thus the company shareholders work to ensure that several elements are not present in the products. These elements include lead, polyvinyl chloride, mercury and Brominated Flame Retardant (Jackson, 2012, 7). The best description for the Apple carbon footprint is by identifying the manner in which it is determined. For the company, a comprehensive life cycle analysis is put in place to assist in acknowledging the source of greenhouse emissions. The carbon footprint for Apple has received a lot of response from many people including long life shareholders who have committed themselves to the purchase of Apple products (O’Grady, 2008, 133). Most shareholders are afraid of the contemporary plan of incorporating cloud computing to the new generation i-pad. The processes that will bring around cloud computing will involve the purchase of other gadgets that will lead to increased global warming from them and as an end result in environmental degradation (Wharton, 2012, 8). The best practice that the company has incorporated in the manufacture of their commodities is the minimization of growth impact. The company has done this by ensuring that its commodities cause less harm through improving the environmental performance of its products. This has been done through packaging them in small-sizes, there is also the use of materials that are both energy saving and fit for recycling.